On his latest effort, Dan Deacon starts fleshing his heavily electronic and classically influenced compositions with some top-notch orchestral instrumentation. WATCH THE REVIEW
Mount Eerie drops the second album that was promised in 2012, and while it is a bit more aggressive than its predecessor, Clear Moon, it’s surprisingly disjointed. WATCH THE REVIEW
On his third full-length album, Swedish singer-songwriter Jens Lekman returns with a more simplistic approach, toning down the extremely colorful instrumentation that coated his last LP. Thankfully, the man’s charm and wit is all this album needs to stay afloat. WATCH THE REVIEW
With Centipede Hz, experimental music outfit Animal Collective is following its poppiest album, 2009’s Merriweather Post Pavilion, with one of its most hectic.
Electronic music producer Four Tet assembles the 12″ house singles he’s been sporadically releasing throughout the year, and places ’em on this new compilation, Pink. WATCH THE REVIEW
On their first album for Shady Records, hip hop supergroup incorporates a disappointing amount of commercialized beats and hooks, which really kills what little lyrical chemistry these guys have going for them. WATCH THE REVIEW
Swans return to their freaky, challenging, twisted selves on this new new album, the Seer. WATCH THE REVIEW
California death metal outfit the Faceless move in a slightly softer direction on their their album, including plenty of melodic guitar passages and cleanly sung vocals. WATCH THE REVIEW
On Matthew Dear’s fifth full-length album, the singer-producer improves his grooves and lyrics while making his definitive, dark-as-hell sound a bit more colorful than usual. WATCH THE REVIEW
