Judging from tracks like “Gold Soul Theory,” New York’s the Underachievers certainly have style and vision; however, they don’t display it on every single track on this new mixtape–which really does feel like a smattering of different sounds and messages. It’s the spacier and more spiritual
On their first full-length collaborative effort, Adam Green & Binki Shapiro appear to have more in common then one would assume; however, that doesn’t always guarantee chemistry. WATCH THE REVIEW
On the band’s first effort in over 20 years, My Bloody Valentine doesn’t overreach their seminal efforts on Loveless, but the band still proves they have a hefty amount of relevance and creativity to spare when it comes to shoegaze. WATCH THE REVIEW
On II, Unknown Mortal Orchestra rockets past a somewhat lackluster debut with a longer album that features more variety, melody, and personality. WATCH THE REVIEW
On its sophomore full-length, psych pop project Dumbo Gets Mad is sounding a little more chaotic–and slightly less enjoyable because of it. WATCH THE REVIEW
On Tegan and Sara’s latest LP, the indie and acoustic rock duo makes a surprising move, diving head first into the world of electropop. WATCH THE REVIEW
Yet again, a group of mentions and cursory reviews of things I didn’t get a chance to talk about this past week! WATCH THE REVIEWS
Mike Patton and company make Oddfellows a step back toward their experimental and alternative rock sound, abandoning the Native American music influences that made Anonymous such a strangely spicy album. However, it’s still a pretty odd, catchy collection of tracks–with a few undeniable potholes, unfortunately. WATCH THE REVIEW
On California X’s debut album, the band brings blaring guitar riffs and thunderous drums, but sometimes it can feel like there’s some flavor missing in the songwriting department. WATCH THE REVIEW
The Strokes drop a surprising new single that takes the band’s typically tight sound, and covers itwith rigid synths and a questionable falsetto. WATCH THE REVIEW
