Sweden’s Holograms aren’t the most original band on the block, but their take on post-punk is enjoyably passionate, catchy, and dark. WATCH THE REVIEW
On his 10th album, Nas delivers a slightly modernized version of the same ol’ same ol’. WATCH THE REVIEW
On their latest album, Wreck and Reference unapologetically combines elements of noise, drone, black metal, and industrial as well. WATCH THE REVIEW
Baroness lightens their sound a bit, but still comes through with an ambitious double album with Yellow & Green. Keep it epic! WATCH THE REVIEW
After making a splash with his first mixtape, Frank Ocean is killing it in the world of contemporary R&B with this new album. WATCH THE REVIEW
Twin Shadow brings some better production and a stronger new wave aesthetic on this sophomore album, but the songwriting and lyrics seem to slip. WATCH THE REVIEW
H-SIK proves himself to be a producer worth watching with his interesting blend of footwork, juke, and African music on this new EP. WATCH THE REVIEW
Y U NO REVIEW is back. I know. Crazy, right? Let’s not make a big deal of it. I love you. WATCH THE REVIEW…OR NO REVIEW, RATHER
Dirty Projectors are sounding like a slighty more toned down version of their usual selves on this new album. While it’s certainly not a bad LP, it’s not really entertaining me on the same level their previous material has. WATCH THE REVIEW
Rush fans are pretty psyched about this new album, and I could see why. Clockwork Angels is definitely the best record the band has put out since 2000, but I’m not sure if, personally, it entertains as much as the group’s classics. WATCH THE REVIEW
