Tyler, The Creator returns from 2011’s Goblin with a much more ambitious and worthwhile effort.
Wavves really loves Nirvana’s Nevermind. I have no doubt about that after listening to this record. Yeah. WATCH THE REVIEW
On Lapalux’s new full-length, the UK producer seamlessly combines elements of future garage, wonky, and contemporary R&B. WATCH THE REVIEW
Kvelertak delivers once again with high energy, solid production, anthemic melodies, catchy choruses, and a tastefully executed blend of influences: rock ‘n’ roll, black metal, hardcore punk, and heavy metal. WATCH THE REVIEW
On his latest release, Bonobo shows more ambition with some great vocal features and vast, atmospheric production; however, too many tracks on this hour-long release don’t make much of an emotional impact. WATCH THE REVIEW
On its fifth record Canada’s KEN mode continues to translate the sounds of post-hardcore and noise rock with some sludge metal chic. WATCH THE REVIEW
Justin Timberlake continues to show more ambition than the average pop artist with song lengths and structures, but longer tracks hardly make up for thin production and even thinner lyrics. WATCH THE REVIEW
On his latest album, David Bowie reconnects with what made a lot of his classic albums great, revisiting his old stomping grounds in an incredibly mature way. WATCH THE REVIEW
The Strokes continue to search for different sounds on this latest album of theirs, but it doesn’t seem they’re that picky about what the end product sounds like. The fact they sound “different” is what seems to take precedent. WATCH THE REVIEW
The recording quality on Dope Body’s new 7″ EP might not be the best, but more nasty, sludgy psych rock is just what the doctor ordered. WATCH THE REVIEW
