On its fifth record Canada’s KEN mode continues to translate the sounds of post-hardcore and noise rock with some sludge metal chic. WATCH THE REVIEW
Justin Timberlake continues to show more ambition than the average pop artist with song lengths and structures, but longer tracks hardly make up for thin production and even thinner lyrics. WATCH THE REVIEW
On his latest album, David Bowie reconnects with what made a lot of his classic albums great, revisiting his old stomping grounds in an incredibly mature way. WATCH THE REVIEW
The Strokes continue to search for different sounds on this latest album of theirs, but it doesn’t seem they’re that picky about what the end product sounds like. The fact they sound “different” is what seems to take precedent. WATCH THE REVIEW
The recording quality on Dope Body’s new 7″ EP might not be the best, but more nasty, sludgy psych rock is just what the doctor ordered. WATCH THE REVIEW
On Nails’ sophomore release, the band makes a series of slight improvements to their already extreme sound. WATCH THE REVIEW
Teasing toward the release of their third full-length album, Vampire Weekend drums up two bold pop tracks of two different flavors. WATCH THE REVIEW
Rhye’s debut full-length is really great at conjuring a sexy vibe, but it can come off a bit one-dimensional at times. WATCH THE REVIEW
Autechre may be coming from the same cold, analytical place they usually do, but Exai shows that their skills for crafting sound are stronger than ever. WATCH THE REVIEW
On their latest LP, New York’s the Men make yet another surprising change to their sound, and head out west for an album that consists mostly of country-inspired songs–but with an attitude. WATCH THE REVIEW
