While Temples’ shows a sincere appreciation for psychedelic pop on their debut album, the band does very little to deliver novel ideas or exciting performances.
New York’s Artificial Brain comes through with a galactic take on technical death metal on their debut album.
Step Brothers’ Lord Steppington is a great mixed bag of chill flows set against b-a-n-g-i-n-g beats. Even the more subdued instrumentals bring heat. While some tracks pale in comparison to others, there’s a lot to love here.
Polish metal outfit Behemoth releases one of its best albums in years with the Satanist. It’s powerful, immense, and twisted. Oh, and sorta catchy, too.
While Tennessee rapper Isaiah Rashad proves himself as a capable spitter and lyricist on this project, it’s the storytelling, instrumentals, and choruses that are occasionally lackluster.
A series of brief reviews dealing in records I didn’t get a chance to do a full review over the past month. Here, I touch down on the latest records from Dum Dum Girls, Warpaint, Cities Aviv, Alcest, Young The Giant, and more! Thank you for watching!
After two electrifying tapes, Scotland’s Young Fathers come through with a huge sound on this latest album of theirs, Dead. I’m not as crazy about the songs, though.
Actress’ latest album is like a musical sketchbook filled with intimate, personal experiments with techno, house, and more.
Autumn For Crippled Children’s fourth album sees the band bringing expanded metal instrumentation into some melodic, shoegaze-savvy territory.
