The Haxan Cloak’s new, sophomore album is possibly one of the scariest sonic experiences you’ll have all year. WATCH THE REVIEW
Singer-songriter Jenny Hval’s sophomore full-length has its share of jumbled ideas with obvious inspirations, but sometimes her vocal expressions and songwriting are just enough to keep this album intriguing and somewhat moving. WATCH THE REVIEW
On Colin Stetson’s latest installment in the New History Warfare series, the Canadian saxophonist displays some tenderness in his incredibly technical solo compositions. WATCH THE REVIEW
Austrian singer-songwriter Soap&Skin drops a new 7″ of emotionally potent tracks that should hold fans over until something more lengthy comes along. WATCH THE REVIEW
Unfortunately, the latest Yeah Yeah Yeahs album is one of those instances when the album’s lead single seems to be the best track, dwarfing nearly every other song on the album with ambition, glitz, and great songwriting. The rest of the album is a bit spotty, in my opinion.
On Ghostface Killah’s latest project, he’s working with composer and multi-instrumentalist Adrian Younge. Together, they create a fantastically conceptual album that’s loaded with all the b-movie thrills a Wu-Tang fan could ask for. WATCH THE REVIEW
On his latest full-length, Philly singer-songwriter Kurt Vile shows more ambition through his approach to psychedelic folk with longer songs, detailed instrumentation, and sublime production. WATCH THE REVIEW
On its latest full-length effort, Phosphorescent’s Americana tunes are sounding more mellow than ever due to some incredibly smooth, reverbed production. WATCH THE REVIEW
Sweden’s Ghost returns with a new full-length that’s loaded with glitzy production, more details, and longer tracks. It’s the tunes that end up getting lost in translation much of the time. WATCH THE REVIEW
A group of quick, cursory reviews and mentions of some songs and albums that I wanted to talk about for the past week, but didn’t get a chance to. So, they have wound up in this video. WATCH THE REVIEWS
