Nils Frahm’s latest album showcases a series of live performances, pushing a lot of previously written material to the limit with longer song lengths and intense playing.
Beyoncé Knowles’ latest album is easily her most sexual and personal.
It’s hard to believe the three tracks on this Rival Dealer EP are actually Burial tracks, because they bring the UK-based producer’s sound in a such a different direction. We’re not getting moody, skeletal dubstep tunes on this one, people. Get ready for some auto-tuned synth pop
With rap cliques being all the rage these days, Hellfyre Club comes together with a new compilation of clever, eccentric hip hop tracks that proves they can’t go uncounted.
If you like your rock music to have catchy hooks, wordy verses, and lots of smart-ass remarks, then I see no reason why you won’t dig the new Future of the Left album.
Aleph has some pretty hard-hitting tech house highlights, but most of the subdued tracks just simply aren’t as engaging, and only seem like they exist to balance out the aggressive moments here–a lot of which sound very similar.
Norway’s Arabrot brings together elements of sludge and noise rock, gracing this hellish marriage with some of the most eccentric vocals I’ve heard all year.
Cali rapper Hopsin has a tight flow and rhymes that don’t mince words. While I like the more hard-hitting tracks on this new LP of his, there just aren’t enough of them to balance out the sickening melodrama that happens on a great deal of this new LP’
Southern rap titans Three Six Mafia are back under a different name–and with a slight lineup change–but that hasn’t stopped them from pulling together one of the rawest, grimiest mixtapes to drop this year.
