On M.I.A.’s latest record, the UK-based rapper, singer, and producer takes a small step away from the noisy production that made her last record so bombastic, but still manages to deliver a series of smart, infectious, and wild banger-style party tracks.
Daniel Avery assembles a diverse album of well-crafted tech house tracks that’s solid from start to finish.
While Death Grips’ Government Plates might be one of the most aggressive releases to come from the experimental hip hop trio, it’s also one of their most forgettable, repetitious, short-winded, and half-baked.
Art Pop is easily Lady Gaga’s most eccentric and colorfully produced album yet. However, she still doesn’t go far enough to keep her very radio-friendly band of pop interesting for an entire album–especially when it comes to lyrics.
Dallas metal duo Cara Neir has a slightly unorthodox combination of influences backed up with a hard-hitting sound. Sadly, their melody and riff writing could be a bit more adventurous.
While East Coast MC Action Bronson didn’t skimp on the personality with this new tape of his, there are certainly a lot of aimless, short-of-breath tracks here that really feel like filler.
While the Debauchees songs and sound are admirably weird, there’s a certain stiffness in their playing that leaves me cold on a few tracks on this full-length debut.
Detroit rapper and producer Black Milk outright wows me with some creative, grimy beats set against some very personal stories on this latest full-length of his, No Poison No Paradise.
Sisu’s debut full-length features some pretty sharp choruses and vocal melodies. While I’m not in love with the album, I think this project is showing a lot of promise for the future.
