Polish metal outfit Behemoth releases one of its best albums in years with the Satanist. It’s powerful, immense, and twisted. Oh, and sorta catchy, too.
While Tennessee rapper Isaiah Rashad proves himself as a capable spitter and lyricist on this project, it’s the storytelling, instrumentals, and choruses that are occasionally lackluster.
A series of brief reviews dealing in records I didn’t get a chance to do a full review over the past month. Here, I touch down on the latest records from Dum Dum Girls, Warpaint, Cities Aviv, Alcest, Young The Giant, and more! Thank you for watching!
After two electrifying tapes, Scotland’s Young Fathers come through with a huge sound on this latest album of theirs, Dead. I’m not as crazy about the songs, though.
Actress’ latest album is like a musical sketchbook filled with intimate, personal experiments with techno, house, and more.
Autumn For Crippled Children’s fourth album sees the band bringing expanded metal instrumentation into some melodic, shoegaze-savvy territory.
Indian’s latest album is the Chicago metal outfit’s most hellish release!
Mogwai’s latest album sees the famed (mostly) instrumental rock band incorporating a lot more synths and electronics with some mixed results.
Thee Silver Mount Zion’s latest record is the Montreal band’s heaviest and noisiest yet, It’s not just a mess of abrasive sounds, though. There’s plenty of fantastic string arrangements and moving lyrics to be had on these tracks, too.
Murmur’s self-titled sophomore album is a impressively executed fusion of black metal and progressive rock.
