Lana Del Rey drops a new single in promotion of her forthcoming album Ultraviolence.
This sophomore LP from Brisbane band IDYLLS is one of the most twisted, extreme records I’ve come across this year.
While I wish Broken Ankles was longer, in five tracks, Girl Talk and Freeway create more compelling material than some of the more buzzed-about mixtapes that have dropped thus far this year.
CunninLynguists pack their latest project with one track after another of quality features.
While scatterbrained and underwhelming at times, Todd’s debut record here has some top-notch dance jams on it with a vintage flair.
It pains me to say it, but I don’t care for this new SZA record at all. Not just because some of the tunes are unmemorable, but her own vocal guests just step all over her and these songs.
New York hip hop outfit Ratking is back with a new record and original sound that takes a modern approach to recreating the urban jungle they come from.
This debut full-length from Sisyphus is far from perfect, but it’s still an incredibly bold and fun display of pop absurdity and genre-blending.
I collaborate with the RIO!B’s Sami Jarroush on this review of the latest Cloud Nothings album.
While this new Avey Tare record has some sweet melodies on it, nearly every piece of instrumentation on this thing is burnt to a crisp with effects. A lot like the latest Animal Collective record, this album is a little overdone, and could have benefited from taking the more orthodox
