Billy Woods and Elucid team up on Race Music to make one of the most dense hip hop albums to come out this year. With seventeen tracks laced with this duo’s esoteric lyricism, this one’s gonna require quite a few replays for maximum enjoyment and comprehension. A few
Loaded with insipid lyrics, amateur singing, and childish melodies, it’s pretty clear the the pop duo known as Cults has no desire whatsoever to mature their sound. There’s definitely more ambition on this record on the instrumental side; featuring an increase in instrumental layers. However, what ends up
Washington D.C.’s the Dismemberment Plan return after more than ten years of studio album silence, but this latest release of there’s feels like a less peppy and eccentric version of their former selves.
Eminem’s major singles leading up to the release of the sequel to the Marshall Mathers LP have underwhelmed me a bit, honestly.
Canadian music producer Tim Hecker returns with a stunning collection of tracks that make for some of the most beautiful music I’ve heard this year.
Scottish synth pop trio CHVRCHES might have some really hot singles, but the rest of their debut album is a little hit or miss for me.
As Fuzz, Ty Segall and Charlie Moothart bring the incredibly high level of distortion and energy you’d expect from a Ty-affiliated album. However, there are a slew of different factors keeping this record from sticking out in Ty’s ever-growing discography: production, songwriting, vocals. All of these things keep
Pusha T, Virginia rapper and one half of the famed hip hop duo Clipse, released some pretty potent singles before the drop of his new album here; however, the final product seems to be cut with a handful of weak tracks.
of Montreal’s latest record sees the band stripping things back to some pretty base instrumentation, resulting in a sound that’s pretty similar to the band’s early work. However, Kevin Barnes proves he’s still a pretty manic songwriter, consistently delivering wordy, witty, and intense lyrics in his
As Darkside, Nicolas Jaar and David Harrington explore the commonalities between subtle electronics and rock grooves. It’s actually a pretty fantastic marriage!
