Morrissey’s latest album feels more ideological than it does musical. Which is fine, I guess, if all you care about is what Morrisey thinks.
“Weird Al” is back and sounding funnier than ever on his most timely and sharp album in years.
Deadmau5′ new, double album showcases much more finesse and maturity than his past releases. His usual house bangers are dark, textured. Meanwhile, much of the second disc feels like it was inspired by some in-depth listens to a film score or two.
Wolves In the Throne Room come through with an electronic and ambient change of pace on this new record of theirs.
The magical monthly segment where I briefly touch down on a gauntlet of albums I didn’t get a chance to review this past month. These are just my short, straightforward, passionate, biased opinions. Fucked Up – Glass Boys Fire! Orchestra – Enter Cormorant – Earth Driver Venetian Snares – My Love Is A
East Coast rapper Apathy drops an album with a strong sense of hometown pride.
Metal outfit Mastodon drops the significantly more likable sequel to 2011’s The Hunter.
The approach Lone took to his latest record here is shockingly basic, and a disheartening departure from the vibrant, upbeat instrumentals on his last LP.
Bruiser Brigade rapper ZelooperZ latest mixtape is absolute insanity.
Death Grips are at their most glitchy, experimental, and esoteric on the first half of their new album.
