Porter Robinson’s full-length debut molds the sounds of indie pop for an EDM palate.
PartyNextDoor’s sophomore release is yet another piece of bottom-barrel R&B.
Famed songstress Jenny Lewis drops her most commercial effort yet with The Voyager.
Mellowhype’s latest project shows an enjoyable increase in technical skill since their last full-length affair–even if the end the result is sort of generic.
Japan’s Kyary Pamyu Pamyu delivers another collection of absolutely adorable pop singles on this latest LP of hers.
The magical monthly segment where I briefly touch down on a gauntlet of albums I didn’t get a chance to review this past month. These are just my short, straightforward, passionate, biased opinions. Braid – No Coast Jungle – Self-Titled White Lung – Deep Fantasy Strand of Oaks – Heal Matthewdavid – In My
Morrissey’s latest album feels more ideological than it does musical. Which is fine, I guess, if all you care about is what Morrisey thinks.
“Weird Al” is back and sounding funnier than ever on his most timely and sharp album in years.
Deadmau5′ new, double album showcases much more finesse and maturity than his past releases. His usual house bangers are dark, textured. Meanwhile, much of the second disc feels like it was inspired by some in-depth listens to a film score or two.
Wolves In the Throne Room come through with an electronic and ambient change of pace on this new record of theirs.
