BADBADNOTGOOD drops their most moody, lush, and orchestrated album yet.
This Sleaford Mods record is pretty one-dimensional with its endless rants and repetitive beats, but I have to admit that this Nottingham duo’s style is awesome.
Montreal’s Ought displays a pretty wide set of influences on this debut record of theirs, including experimental folk rock to tracks that blend sounds of Midwest emo with the dismal emotions of bands like Slint.
Between the basic flows, uninteresting lyricism, and ridiculous “singing” that’s barely masked by the auto-tune it’s slathered in, I’m honestly not finding much of anything to like about the new Future record. The beats are decent sometimes…
tUnE-yArDs’ latest record is just the fun, eccentric, and wild shot pop music needed in 2014.
Lord Mantis’ latest record bring noise and ambitious songwriting into the fold of their heavy, blackened sludge.
Pixies return with a textbook example of a disappointing comeback record.
New York hip hop legend returns with P.T.S.D., following up the lackluster W.A.R. with a more solid project.
John Frusciante comes through with another demo-quality dud with Enclosure.
Chet Faker brings together a few decent songs and instrumentals on this debut album of his, and while he’s a capable producer, he falls horrifically short as a singer, in my opinion.
