Grave Babies take a more serious, dreary, and high-fidelity approach on their new record.
Dr. Dre is back! Dr. Dre is back! Dr. Dre is back!
J. Tillman, aka Father John Misty, comes through with a grand, funny, and gorgeous sophomore release under this recently embraced pseudonym of his.
TDE’s Kendrick Lamar gives us another taste of his forthcoming album with “The Blacker the Berry.” It’s a lyrically nuanced portrayal of one character’s reaction to the racial tensions that boiled over for much of 2014.
The latest installment of Matana Roberts’ Coin Coin series shifts the narrative down a drone-laden, cluttered pathway.
Director, screenwriter, and infamous soundtrack composer John Carpenter surprises fans with an album of non-soundtrack material.
Zs’ latest album shows the band taking a more stripped back approach to their hypnotically repetitive approach to experimental rock, jazz, and drone.
The magical monthly segment where I briefly touch down on a gauntlet of albums I didn’t get a chance to review this past month. These are just my short, straightforward, passionate, biased opinions.
Icelandic singer, songwriter, producer Björk is back with another record, and it’s one filled with romantic heartbreak and whimsical instrumentation.
With what might be his final project with Atlantic Records, Lupe Fiasco releases his most conceptual and headiest album in years, backing these tracks up with an instrumental set that’s a step above what he delivered on his two previous LPs.
