Whitey Morgan’s latest record delivers an authentic outlaw country feel with a modern clarity and punch coming through on the production.
Jay Rock’s highly anticipated 90059 isn’t nearly as exciting as I’d hoped.
Myrkur’s full-length debut came through with some great production and a lot of promise, but some lackluster song structuring kept this record from reaching its full potential.
FIDLAR’s new album is like listening to a white, lazy, spoiled, drug-addled twentysomething indignantly whine to his parents about how hard his life is.
The Wonder Years’ latest album is well-mixed and performed, but does little beyond continuing to play out every tired pop punk and emo cliché in the book.
Iron Maiden’s lengthy 90-minute epic doesn’t bring the compositional or sonic ambition fans might assume due to the large run-time.
Funk master Dam-Funk drops a 90-minute funk epic with his latest album.
Travis Scott’s ambition and songwriting translates artfully on his latest commercial effort.
Miley Cyrus, the Flaming Lips, Mike Will Made It and more come together for an excruciating 90 minutes of neo-psychedelic pap.
Despite it’s dark album cover and heavy teaser tracks, Foals’ What Went Down seems to be Foals as usual: A little depression, a little dance, a little drab.
