Milo returns with a confrontational album backed with a series of synthetic, jazzy instrumentals from Kenny Segal.
The Front Bottoms come through with their most slick album yet, a real fusion of emo, pop punk, and power pop.
Julia Holter’s latest record is one of the most heavenly albums I’ve heard in the past five years.
Ought’s neurotic, jittery approach to art rock and post-punk really impressed me on their latest album. Still room for improvement, but very impressive.
While a few tracks feature an equal and exciting marriage of Champagne Papi and Future Hendrix, most of what’s here feels like DS2 runoff with a solid Drake feature.
Lana Del Rey’s latest project, surprisingly, is an improvement on the singer’s previous releases.
Mac Miller comes through his his most mature and lengthy project yet.
The Underachievers explore the duality of life on this new two-part album.
Battles deliver tight performances, but lose their sense of adventure on their latest album here.
The Libertines drop a comeback record! Woo! Woo!
