Korn returns with one of their best albums since 1999’s Issues. Still can’t say I care for it, tho…
Bright Eyes frontman Conor Oberst benefits from going back to basics here on his latest solo album.
Lady Gaga’s rootsier sound and image on Joanne is a welcome change of pace, though she doesn’t always commit to the new direction.
Compton rapper The Game returns with a partially fulfilled concept album about his early days.
The Dillinger Escape Plan goes down swinging on their final album.
Crying delivers one of the most triumphant, diverse, and instrumentally intricate rock records I’ve heard this year.
Jeff Rosenstock drops a pretty ambitious and conceptual follow-up to last year’s We Cool?.
American Football’s sad but nimble sound has been replaced with soft rock complacency on their new comeback album.
Anderson .Paak and Knxwledge return with a fruitful full-length collaboration.
Green Day’s latest release isn’t quite as cringeworthy as I was expecting, but there are still plenty of cringes to be had.
