Nine Inch Nails follows up last year’s Not the Actual Events EP with a moodier and more atmospheric set of tracks, which I don’t find to be quite as well-written or exciting.
The first half of Raskit is some of the most hard-nosed grime you’ll hear all year, as well as some of Dizzee Rascal’s strongest material since Boy in da Corner. Unfortunately, things go downhill fast shortly thereafter…
Shabazz Palaces return with deeply flawed twin concept albums.
Seasoned metalcore outfit Integrity emphasizes their metal side on the dark and diverse Howling, for the Nightmare Shall Consume.
While Lust for Life might be Lana Del Rey’s weakest attempt at reconciling her old school and new school influences, it’s also the first time I’ve come away from one of her albums with more highlights than lowlights.
Tyler, the Creator blossoms as a rapper, producer, and lyricist on Flower Boy, his most beautiful and well-crafted album to date.
A very belated review of the latest Pissed Jeans album, which offers a funny and noisy commentary on love in the present-day.
I did a K-pop review for the legendary Asian music/culture channel 88rising!
Known Unknowns is NY hip hop artist Billy Woods’ punchiest effort since History Will Absolve Me. I’m talking about it with my buddy Myke from Dead End Hip Hop.
7 years after the underwhelming Forgiveness Rock, Toronto indie rock collective Broken Social Scene is back with a pretty exhilarating and harmonious return to form.
