Despite faltering in its third act, Savage Sinusoid is so far Igorrr’s most palatable blend of breakcore, metal, and baroque sounds.
For the most part, this self-titled debut from hardcore supergroup Dead Cross offers a good balance between the genre’s original blueprint and some experimentation of their own.
Ski Mask the Slump God’s outlandish and sometimes gross lyricism is sure to put off some listeners, but his animated performances left quite an impression on me over the short runtime of this latest mixtape.
Despite its overture, interludes, and finale, the new(ish) Black Lips album doesn’t quite succeed at being some sort of grand statement. However, the band still has a killer sound and delivers a plethora of great tracks here.
Ugly God’s debut mixtape is loaded with filler and bookended by two good tracks we’ve already heard.
Thanks to Thin Black Duke‘s lavish orchestration and tour-de-force vocal performances from frontman Eugene Robinson, eminent underground rock outfit Oxbow has delivered a comeback album that leaves me lost for words for all the right reasons.
Maryland trio Dying Fetus comes through with one of the best brutal death metal albums I’ve heard since their last album back in 2012.
Vic Mensa’s long-awaited debut album delivers its fair share of grand and thoughtful highs, but also some cringe-worthy lows.
Portland’s own Aminé sells himself short on his mellow studio debut, Good for You.
Everything Now finds Arcade Fire making a bolder and tighter move in a dance music direction than on Reflektor, but unfortunately it’s even more of a mixed bag.
