Evangelic Girl strips away much of what's made yeule a compelling artist up to this point.
Hayden ends his Motor Trilogy on a very pretty and evocative note.
While not bad at all, Phantom Island is a bit of lost potential for King Gizz going in a more orchestral direction.
Never Enough, while still a good album, is a little atered-down compared to Glow On.
Even with its potentially confounding detours, Lotus delivers the impressive bars and production Little Simz is known for.
Addison shows potential, but most of this album sounds like it's still in the incubation stage.
PPC's most dynamic album so far.
