Known Unknowns is NY hip hop artist Billy Woods’ punchiest effort since History Will Absolve Me. I’m talking about it with my buddy Myke from Dead End Hip Hop.
7 years after the underwhelming Forgiveness Rock, Toronto indie rock collective Broken Social Scene is back with a pretty exhilarating and harmonious return to form.
The Haim sisters return with a front-loaded sophomore album.
Mr. Carter kills his ego and spills the beans on his most intimate album yet.
Thanks to some clearer production, more up-front performances, and a zany new wave influence, GT ULTRA is the most I’ve ever enjoyed a Guerilla Toss album.
Algiers blow the sophomore slump out of the water with The Underside of Power, a more intense and versatile album than the band’s self-titled debut.
Fleet Foxes triumphantly emerge from hiatus with their most progressive effort yet.
Vince Staples’ Big Fish Theory is the Long Beach rapper’s most eclectic project yet, but still exposes major songwriting deficiencies.
Murder of the Universe might be King Gizzard’s most musically and conceptually ambitious project to date, but the execution leaves a lot to be desired.
