On Saturation, Brockhampton jells in a way no other group their size has in quite some time. Definitely my frontrunner for hip hop project of the year at the moment.
4 years after Beach Fossils’ great sophomore album Clash the Truth, the Brooklyn band has returned with their most lavish effort yet. I can still commend the band for not shamelessly trend-chasing like many of their dreamy, jangly contemporaries, but unfortunately the pastiche of ’60s pop sounds they serve up
Former Pink Floyd frontman Roger Waters applies the politically charged spirit of his past work to the political landscape of today on his latest release.
alt-J’s third album is the UK art pop outfit’s most inconsistent yet.
Anthony Fantano, the self-proclaimed “Internet’s Busiest Music Nerd,” is a YouTube music critic who just reached the one million subscriber milestone. Here’s my completely objective review of him.
Jersey producer Sinjin Hawke makes his full-length debut with a beautiful set of nuanced bangers.
Lil Yachty’s debut album is a horrific disappointment.
One More Light is a complete and utter betrayal of everything that made Linkin Park even remotely appealing to begin with.
With Rocket, Philly singer-songwriter Alex G delivers an album that’s a bit more adventurous than his previous effort, but also a lot more inconsistent.
Death Grips teases toward a new album with an intense, high-speed megamix that’s bound to land on my year-end EP list.
