Alice Glass brings back the original appeal and energy of Crystal Castles and comes into her own as a solo artist with this self-titled debut EP.
At over 90 minutes, Lil B’s “first official mixtape” is chock-full of freewheeling, creative highs; as well as lows that range from mundane to annoying.
The future of emo is looking bleak…for the wrong reasons.
Richard Dawson’s sprawling and rustic tunes bring back a sense of olde English folklore and mysticism that isn’t often heard in contemporary music.
Following up on its predecessor’s sense of urgency, who told you to think??!!?!?!?! is another thought-provoking abstract hip hop album under milo’s belt.
On Rainbow, Kesha artfully reinvents herself without losing the fun, wild energy that made her such an appealing pop figure in the first place.
Despite faltering in its third act, Savage Sinusoid is so far Igorrr’s most palatable blend of breakcore, metal, and baroque sounds.
For the most part, this self-titled debut from hardcore supergroup Dead Cross offers a good balance between the genre’s original blueprint and some experimentation of their own.
Ski Mask the Slump God’s outlandish and sometimes gross lyricism is sure to put off some listeners, but his animated performances left quite an impression on me over the short runtime of this latest mixtape.
Despite its overture, interludes, and finale, the new(ish) Black Lips album doesn’t quite succeed at being some sort of grand statement. However, the band still has a killer sound and delivers a plethora of great tracks here.
