Natalia Lafourcade and Los Macorinos explore the wide world of Latin American folk music with a generous tracklist of quality originals and creative revisions on Musas Vol. 2.
While not quite the grand artistic and social statement it was intended to be, American Utopia is brimming with forward-thinking pop and David Byrne’s unique persona.
Lil Yachty makes a return to form with Lil Boat 2.
Despite the bouncy production, good feature spots, and Logic’s technical ability, Bobby Tarantino II is just as inconsequential as its predecessor.
Dead Magic is Swedish singer-songwriter and organist Anna von Hausswolff’s best work to date.
Though there are a few strokes of genius on A Productive Cough, too often Titus Andronicus relies simply on the novelty of mimicking a bar band to sell the album.
Exuding copious amounts of raw positivity, You’re Not Alone is a triumphant return to music for Andrew W.K.
Tory Lanez is so similar to his contemporaries that it’s hard to see the point of Memories Don’t Die‘s existence.
This debut studio album from Irish rapper Rejjie Snow is a bit too low-key for my liking.
Though there are some bright spots and risks that pay off, Turnstile’s sophomore album mostly offers run-of-the-mill New York hardcore with a bit of window dressing.
