Playboi Carti’s debut album is intoxicating in its simplicity.
Singularity successfully reaches for the stars for a good part of its runtime.
Iceage dials down the abrasiveness and theatricality on the still pretty solid Beyondless.
If there’s one thing I learned from SR3MM, it’s that the Rae Sremmurd brothers work better together.
Daniel Avery’s latest effort dives headfirst into the depths of ambient techno, but comes up relatively empty-handed.
Despite being a stylistically mixed bag, Kimbra’s latest album features some of the best art pop you’ll hear this year.
The two-disc Scars of Man finds Panopticon separating the black metal and American folk elements of his music, rendering it generic.
Dirty Computer is Janelle Monáe’s poppiest album to date, as well as her most deeply sexual and political.
On his sophomore album, Post Malone carves out his own niche in the auto-croon field with quality trap production, strong vocal performances, and a bit of a singer-songwriter twist.
Death in Haiti is the most intriguing and affecting field recording project I’ve heard in some time.
