Everything Is Love relies too heavily on its star power to feel anywhere near as consequential as Lemonade or 4:44.
Still lacking a distinct voice as a singer and lyricist, Teyana Taylor is frequently outshined by her collaborators on K.T.S.E.
Vein’s debut album offers a diverting blend of metalcore and alternative metal styles as well as its share of growing pains.
By adhering so much to its grand formula, Heaven and Earth comes off as even more cumbersome than The Epic.
The Now Now is a pleasant mood album while it’s on—especially in comparison to Humanz—but it’s still relatively low-impact.
Sorry to run with the obvious music critic quip, but it is pretty hard to hear what’s so redeeming about Redemption.
Scorpion continues Drake’s streak of projects that have been padded out to oblivion.
The level of artistic freedom Trent and Atticus give themselves on the somewhat uneven Bad Witch is more exciting than just about any Nine Inch Nails release since 2008.
Freddie Gibbs’ eponymous mixtape mostly finds the rapper spinning his wheels.
