If there’s one thing I learned from SR3MM, it’s that the Rae Sremmurd brothers work better together.
Daniel Avery’s latest effort dives headfirst into the depths of ambient techno, but comes up relatively empty-handed.
Despite being a stylistically mixed bag, Kimbra’s latest album features some of the best art pop you’ll hear this year.
The two-disc Scars of Man finds Panopticon separating the black metal and American folk elements of his music, rendering it generic.
Dirty Computer is Janelle Monáe’s poppiest album to date, as well as her most deeply sexual and political.
On his sophomore album, Post Malone carves out his own niche in the auto-croon field with quality trap production, strong vocal performances, and a bit of a singer-songwriter twist.
Death in Haiti is the most intriguing and affecting field recording project I’ve heard in some time.
Eat the Elephant gets off to a strong start, but begins tanking in quality at the midway point.
Hop Along’s song structures and storytelling mature on Bark Your Head Off, Dog.
Stoner metal titan Sleep makes a hell of a comeback with The Sciences, which encompasses both the band’s classic sound and influences from the members’ other creative endeavors over the past 15 years.
