King Gizzard has released a proggy new album into the public domain, and it’s perhaps the band’s most holistic and ambitious effort this year.
Jaden Smith’s latest film is an auditory one, exploring the lyrical follies of a rich-kid-turned-mediocre-rapper in desperate need of perspective as he produces 70 minutes of egotistical propaganda in the hope it will launch his rap career.
Elusive NYC hip hop duo Armand Hammer is back for one of the grimiest rap records of 2017.
Liars’ TFCF is one of the band’s most isolated, tedious, and disappointing releases yet.
Destroyer’s latest record is an awkward helping of new wave pastiche.
Cloud rap sorcerer Yung Lean returns with his most enjoyable and aesthetically mature album to date.
Reputation focuses more on the pop star narrative than it does actual pop songs.
British singer-songwriter Benjamin Clementine brings more bells and whistles on his sophomore album I Tell a Fly, but it’s unfortunately a case of more being less.
Skepta’s new EP starts strong enough and even offers a miraculous banger featuring the Based God himself, but it instantly takes a nosedive in the second half.
UK pop singer Sam Smith’s latest album turns blue-eyed soul into a chore.