New York’s Show Me the Body drops a ferocious set of banjo-backed punk ragers that are equal parts explosive and unsettling.
Weyes Blood comes through with an immaculately produced and performed baroque pop album in Titanic Rising.
Listening to Doko Mien is like hearing Ibibio Sound Machine’s great sophomore album Uyai all over again, albeit in a slightly diminished capacity.
Hiding Places is Billy Woods’ most personally cutting project so far.
Though far from a bad album, Panorama finds La Dispute’s idiosyncratic style becoming an albatross around the band’s neck.
The Comet Is Coming is doing its part to bring jazz into the next decade.
It’s a shame that the popularity and promotion behind Billie Eilish has poisoned the well a bit, as When We All Fall Asleep is actually an artful, well-crafted, and unique pop album.
Supermarket is Logic’s very own Speedin’ Bullet 2 Heaven.
Following a disappointing comeback album in 2016, American Football shows promise once again with the dreamier LP3.
Nav’s music is so devoid of interesting characteristics that it’s shocking.
