Tribulation comes through with a pretty solid gothic metal album that you’ll want to light your candelabra to.
Moorhead emo outfit Tiny Moving Parts release one of their most creatively bankrupt albums thus far.
A decade on from their debut album, No Age is still delivering visceral and sound-rich rock music.
Rich Brian shows more personality than many of his contemporaries on his debut project, but his sound is a bit too one-note to satisfy in a full-length context.
A buffet of shit: Justin Timberlake’s new album is most likely the most horrendous cross-section of contemporary sounds you’re going to hear this year.
A quick, raw review of one of Guwop’s most cold-blooded projects in a long time.
Sometimes cumbersome but mostly exciting, Ty Segall’s latest album is his longest and most ambitious yet.
Overloaded and underwritten, Migos’ sequel to Culture says more about the trio’s business model than it does the artform.
Anthony makes a remarkably timely return to the final version of Kanye West’s experimental opus, The Life of Pablo.
Mania is one of the worst instances in the recent trend of mainstream rock bands trying to write EDM albums.