Benson's got the singing and backflipping chops, but not so much the songwriting chops yet.
There are at least a few welcome surprises and bright spots on Dopamine, but they're sadly few and far between.
Evangelic Girl strips away much of what's made yeule a compelling artist up to this point.
Hayden ends his Motor Trilogy on a very pretty and evocative note.
While not bad at all, Phantom Island is a bit of lost potential for King Gizz going in a more orchestral direction.
Never Enough, while still a good album, is a little atered-down compared to Glow On.
Even with its potentially confounding detours, Lotus delivers the impressive bars and production Little Simz is known for.
