Tyler, the Creator leaves an awkward and weakly assembled Christmas EP under the tree.
Muse’s foray into ’80s retro-futurism, while at times uninspired and gaudy even by the band’s standards, has resulted in their most palatable album this decade.
A Love Letter to You 3 is Trippie Redd’s most solid project since the first one.
The Sunset Tapes just sounds like it doesn’t matter.
Oxnard has a stronger sense of direction than its predecessor and is a breath of fresh air in the current state of pop rap and neo-soul.
Action Bronson has a lot of irons in the fire right now; unfortunately, it sounds as if White Bronco should’ve been kept in there a little longer.
Come Over When You’re Sober, Pt. 2 features more dynamic vocal performances and a more diverse instrumental palette than its predecessor, but is still let down by shallow songwriting and bland production.
Anti-folk vet Jeffrey Lewis delivers wild and passionate renditions of songs from one of New York’s most underappreciated musical figures.
Mark Kozelek’s latest endeavor follows his jet-lagged excursions through Europe, but his narratives often overpower the music.
