As introspective as ever, Compton rapper Boogie shows plenty of potential and room for creative growth on his debut studio album.
Bring Me the Horizon’s blend of pop, electronics, and what remains of their metalcore edge is surprisingly admirable on amo.
Why Hasn’t Everything Already Disappeared? is hands-down the blandest entry in Deerhunter’s discography.
For a covers album orchestrated by a popular rock band, The Teal Album could’ve turned out much worse.
Synth funk and alternative R&B aesthetics clash on Toro y Moi’s latest album.
Remind Me Tomorrow is a little all over the place in terms of style and pacing, but is nevertheless another solid set of songs from Sharon Van Etten.
Despite being bookended by a few awkward detours, Assume Form contains James Blake’s best writing and production since the earlier part of this decade.
While not Future’s most cutting-edge release, The WIZRD is packed with great production, sticky hooks, and consistently electrifying vocal performances from Future himself.
The EPs that comprise TDT, while very much listenable, pale in comparison to Big K.R.I.T.’s prior work.
