Aries’ debut project is a solid contribution to the current wave of emo rap.
Ventura is much more than a set of Oxnard leftovers.
Persona is missing the dramatic punch of BTS’s previous work.
PUP solidifies itself as one of this decade’s best pop punk acts with Morbid Stuff.
New York’s Show Me the Body drops a ferocious set of banjo-backed punk ragers that are equal parts explosive and unsettling.
Weyes Blood comes through with an immaculately produced and performed baroque pop album in Titanic Rising.
Listening to Doko Mien is like hearing Ibibio Sound Machine’s great sophomore album Uyai all over again, albeit in a slightly diminished capacity.
Hiding Places is Billy Woods’ most personally cutting project so far.
Though far from a bad album, Panorama finds La Dispute’s idiosyncratic style becoming an albatross around the band’s neck.
The Comet Is Coming is doing its part to bring jazz into the next decade.
