The Slow Rush‘s deep cuts don’t deliver on the promise of its introspective and infectious lead singles.
HMLTD refreshes and recontextualizes a slew of post-punk sounds on West of Eden.
Likewise‘s plain instrumental palette doesn’t do much to complement Frances Quinlan’s unique voice.
Nicolas Jaar’s second outing as A.A.L. is a bit more far-out than the first, and about as fantastic.
Unlocked is essentially a glitch in the matrix in hip hop form, and that’s a great thing.
Green Day tries to be the final nail in rock music’s coffin with Father of All…
While not as cohesive as Squarepusher’s seminal works, Be Up a Hello is his most solid work in at least a decade.
Dan Deacon hones his trademark fusion of electro-psychedelia and post-minimalism on Mystic Familiar.
Not living up to its somber title and introduction, Funeral is another unfocused and bloated album from Lil Wayne.
