Thundercat’s muddy mixes remain his Achilles’ heel on the otherwise enjoyable It Is What It Is.
Nicolas Jaar’s second album of 2020 is an evocative set of electroacoustic vignettes.
Despite not sticking the landing, Future Nostalgia is a significant leap forward from Dua Lipa’s so-so debut.
Don Toliver spends pretty much all of Heaven or Hell in the shadow of Travis Scott’s sound.
Sufjan Stevens teams up with stepfather Lowell Brams for a severely underwhelming series of half-hearted ambient works.
The Common Task could be a good gateway to the wonders of post-minimalist math rock.
The Garden’s devil-may-care eclecticism remains both a blessing and a curse.
Haru Nemuri’s latest mini-album takes her surprisingly harmonious fusion of art pop, J-rap, noise rock, and electronica to new heights.
After Hours is a fruitful reinvention of The Weeknd.
