Genesis Owusu’s full-length debut is impressive, occasionally even overambitious.
Anthony touches down on a bunch of his worst-received reviews.
Though it boasts a grander sound than Baker’s past work, Little Oblivions is laden with unremarkable indie-isms.
The emotionally potent and timely Carnage finds Nick Cave and Warren Ellis letting loose with the aesthetic they forged on the previous Bad Seeds trilogy.
King Gizzard reinvigorates its approach to microtonality a bit on L.W.
Despite offering a bit of a career overview, As the Love Continues is a middling entry in Mogwai’s catalog.
Conway and Big Ghost display a creative chemistry that hopefully continues into the future.
Ad Nauseam bring fiery performances, dynamic production, and revelatory fusions of metal, classical music, and jazz on their sophomore album.
Trippie Redd’s foray into rock music, while not half-hearted, has plenty of kinks to be ironed out.
