Album Review
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Despite a bit of genre-hopping, Machinedrum’s latest album, Room(s), comes together quite nicely. There are moments tracks influenced by the world of glitchy, which this guy has always had a soft spot for. But Machinedrum is very good about appealing to the winds of change whenever they’re
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Little Dragon’s third album comes after a move toward accessibility on 2009’s machine dreams, but doesn’t go further down that path. Making things simpler to gain a wider audience just seems like something a band in Little Dragons’ shoes would do, though. They’ve had plenty of
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For a duo, JEFF the Brotherhood has an incredibly full and distorted sound. There’s a lot of kinetic energy flying between these two Nashville musicians on this new recording, We Are the Champions. And if these guys are champions as anything, it’s bringing back the vocals and melodic
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Alaska’s Portugal. The Man made its Atlantic Records debut with this new album, In the Mountain In the Cloud. And because I didn’t really like the band’s past two albums, I’m surprised to see the music moving in a direction I like a lot more this
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On Toxic Holocaust’s fourth album, the Portland band takes a leaner approach to its grimy fusion of punk and thrash metal, lowering the black metal influences that were once prominent on the band’s earlier releases. While there’s not a lot of variety to be had on this
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On the Horrors third LP, the primary colors that combined to created the band’s eccentric brand of post-punk start to fade a little bit; however, I think the move is sort of intentional. Rather than sticking to their guns, the band is moving in a decidedly psychedelic and atmospheric
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Washed Out’s debut LP definitely brings a comparative change from the project’s early EPs. I guess my issue is that the change just isn’t enough to make me wanna stick with this album over previous efforts. There are flashes of progression and ambition here and there, but
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Compton rapper Kendrick Lamar doesn’t follow the usual tough and hardened stereotypes that come with repping the California city. The guy isn’t a wimp, but he’s more interested in saying something thought-provoking than violent. Backed by some fantastic beats, that’s what every track on this new
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On Sam Baker’s Album, Samiyam pulls together some pretty great grooves and sounds. My problem is not much of it moves or develops into anything interesting. This release is more like a sampler of various atmospheres this L.A. producer can create, and that’s fine. Maybe it’ll
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On Iceage’s full-length debut, the band forges a cohesive style in raw, messy musicianship and noisy guitars. Sometimes it’s overwhelming, and sometimes it’s just catchy and loveable. But it’s always giving off some kind of strong energy or emotion–even at its most apathetic. WATCH THE
