album
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Xiu Xiu returns after a seriously prolific streak with a new collection of original material via Polyvinyl Records.
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The new King Gizzard album, while not a thorough experiment in microtonal tuning, is a fun and intense psych rock experience.
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Dirty Projectors return with an entirely revamped sound.
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Power Trip’s second album for Southern Lord Records brings thrash metal back with a fucking vengeance.
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Though Drunk brings a heaping helping of Thundercat’s spectacular bass playing and sense of humor, the album is also rife with filler and underwritten jazz motifs.
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Future showcases his softer, “sexier” side on HNDRXX, his worst album yet.
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Swedish singer-songwriter Jens Lekman goes full-on pop with his follow-up to 2012’s I Know What Love Isn’t.
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With RA2, Jonwayne delivers a disheveled set of alternative hip hop tracks that have potent senses of humor and emotion.
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Future washes, rinses, and repeats on a new set of merely passable tracks.
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When Mark Kozelek arrives, baby, he arrives.
