8/10
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The sequel to Quelle Chris and Chris Keys’ Innocent Country is one of the rapper’s most sobering efforts and continues his winning streak.
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Lido Pimienta celebrates her indigenous roots with this colorful, digital blend of art pop and Cumbia.
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Rina Sawayama comes to us as a near-fully formed popstar on her debut album.
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More than just an oddity in The Strokes’ catalog, The New Abnormal is a return to form after the disappointing Comedown Machine.
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Nicolas Jaar’s second album of 2020 is an evocative set of electroacoustic vignettes.
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The Common Task could be a good gateway to the wonders of post-minimalist math rock.
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Purple Moonlight Pages is a thought-provoking self-portrait of the artist formerly known as Milo, as well as just a damn good jazz rap album.
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Code Orange updates metalcore for the 2020s on their latest album.
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The more direct and tuneful approach King Krule takes on Man Alive! makes it—to my ears—a vast improvement over The Ooz.
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HMLTD refreshes and recontextualizes a slew of post-punk sounds on West of Eden.
