7/10
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Travis Scott continues pushing the psychedelic boundaries of trap on Astroworld, but doesn’t quite stick the landing.
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Four Pieces for Mirai finds James Ferraro at the top of his MIDI composition game and leaves me on the edge of my seat for the albums it’s teasing towards.
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Let’s Eat Grandma’s sophomore album is a hodgepodge of mostly great ideas.
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Melody Prochet has bounced back with some of the freshest ideas coming out of neo-psych right now.
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Pretty much all the awkward kinks in The Internet’s previous albums evaporate on Hive Mind.
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serpentwithfeet’s debut album adeptly presents love in a simultaneously sweet and unsettling light, only occasionally being held back by some uneventful instrumentals.
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Florence + The Machine exercise a bit more restraint than usual on High as Hope.
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The level of artistic freedom Trent and Atticus give themselves on the somewhat uneven Bad Witch is more exciting than just about any Nine Inch Nails release since 2008.
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This debut collaboration between British singer-songwriter Laura Marling and Tunng co-founder Mike Lindsay delivers some texturally unique folktronica.
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The debut album from Philly hip hop artist Tierra Whack is an endearing set of pop rap and alternative R&B miniatures.
