6/10
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While more eclectic and adventurous than its predecessor, When I Get Home is let down by some stiff instrumentals and Solange’s inexpressive singing.
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Father of 4 is at least the best of the Migos solo albums.
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Quiet Signs is a meager helping of Jessica Pratt’s pretty and subtly psychedelic style of folk songwriting.
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While much of your enjoyment of Electric Lady Sessions will depend on your enjoyment of American Dream, that material does benefit from the more in-the-moment sound here.
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Panda Bear’s latest solo outing sees his psychedelic brand of surreal folk submerged under an ocean of cascading delays and nautical vibes.
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As introspective as ever, Compton rapper Boogie shows plenty of potential and room for creative growth on his debut studio album.
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Bring Me the Horizon’s blend of pop, electronics, and what remains of their metalcore edge is surprisingly admirable on amo.
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For a covers album orchestrated by a popular rock band, The Teal Album could’ve turned out much worse.
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Synth funk and alternative R&B aesthetics clash on Toro y Moi’s latest album.
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The EPs that comprise TDT, while very much listenable, pale in comparison to Big K.R.I.T.’s prior work.
