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For better or worse—mostly worse—Miss Anthropocene sounds as if it was made by an untrained Grimes A.I.
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Big Thief’s second album of 2019 takes the band’s sound back to basics, which is far from a bad thing.
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Holly Herndon’s new album is partially aided by A.I. and features some creative, futuristic art pop pieces, but there are plenty of half-baked experiments as well.
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I Am Easy to Find returns to the dullness of The National’s early 2010s output.
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U.F.O.F. is mostly listenable—if a bit derivative—indie folk with a few flashes of brilliance sprinkled throughout the tracklist.
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Gallipoli lacks the romance and wonder that made Beirut great in the first place.
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Why Hasn’t Everything Already Disappeared? is hands-down the blandest entry in Deerhunter’s discography.
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The Lemon Twigs released their debut album Do Hollywood via 4AD back in 2016, following it up with the Brothers of Destruction EP last year. Now the Long Island band of brothers is working on a sophomore album and has released two new singles titled “Foolin’ Around” and “Tailor Made.
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With In a Poem Unlimited, U.S. Girls delivers what is sure to be one of the year’s most versatile and lyrically intriguing pop albums.
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Apart from a few bright spots, I can feel you creep contains Tune-Yards’ most uninteresting and obnoxious material to date.
