3/10
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Reason’s sophomore album is as low-impact as his debut.
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At its worst, Ohms is some of the most aggravating music Deftones has ever recorded. At its best, it’s the band painting-by-numbers.
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On his debut album, Lil Tecca does little to distinguish himself from the current crop of formulaic melo-trap artists.
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Listening to TattleTales is like volunteering to be trolled, and it may not even succeed on that front.
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Im Wald stretches Paysage d’Hiver’s most threadbare material to an arduous two hours.
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Mordechai is far from the upper tiers of vibe music.
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Lil Boat 3 is an underwhelming end to the trilogy.
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High Off Life finds Future running on the fumes of the style he helped popularize several years ago.
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Drake drops another ‘care package’ that could’ve used more care.
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Sufjan Stevens teams up with stepfather Lowell Brams for a severely underwhelming series of half-hearted ambient works.
