2021
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Taylor’s version of her pop crossover opus Red is pretty impressive in its attention to detail, and delivers a winning crop of previously unreleased songs.
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While Still Over It is kind of bloated, it shows quite a bit of growth from Summer Walker since her debut.
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Madison is one of the year’s most beautiful and enigmatic records.
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Enough of the ideas TWOPOINTFIVE throws at the wall stick.
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Dijon’s debut is a bit on the scant side, but still packs a lot of great ideas and performances.
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The Path of the Clouds is easily Marissa Nadler’s most instrumentally dense solo project to date, which is mostly a blessing.
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The War on Drugs’ heartland rock sound is more direct than ever on I Don’t Live Here Anymore, with Granduciel’s vocals and writing not always up to the task.
