2018
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Everything Is Love relies too heavily on its star power to feel anywhere near as consequential as Lemonade or 4:44.
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Still lacking a distinct voice as a singer and lyricist, Teyana Taylor is frequently outshined by her collaborators on K.T.S.E.
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The weekly segment in which Anthony touches down on some of the best and worst tracks he has heard in the past week.
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The fuck am I looking at—a Brockhampton music video that’s not in 4:3? Y’all were right: RCA changed them! Piss-take aside, “1999 WILDFIRE” is the All-American Boyband’s first official single of the year, promoting their upcoming album The Best Years of Our Lives, and it’
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Vein’s debut album offers a diverting blend of metalcore and alternative metal styles as well as its share of growing pains.
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By adhering so much to its grand formula, Heaven and Earth comes off as even more cumbersome than The Epic.
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The Now Now is a pleasant mood album while it’s on—especially in comparison to Humanz—but it’s still relatively low-impact.
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Sorry to run with the obvious music critic quip, but it is pretty hard to hear what’s so redeeming about Redemption.
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Scorpion continues Drake’s streak of projects that have been padded out to oblivion.
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The level of artistic freedom Trent and Atticus give themselves on the somewhat uneven Bad Witch is more exciting than just about any Nine Inch Nails release since 2008.
