2018
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Talking about the surge in popularity that emo rap has seen in recent years.
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With its well executed concept, tight sequencing, and top-notch production from Animoss, Orpheus vs. the Sirens is probably the best album with which to introduce someone to the work of Ka.
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Despite Louis unapologetically wearing his influences on his sleeve, Time is a solid addition to the Brainfeeder catalog.
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Sweetener may be a Top 40 album through and through, but it’s somewhat elevated by some quality production and Ariana Grande’s consistently strong vocal performances.
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Be the Cowboy is arguably Mitski’s most mature release, but most of the songs feel like a faint breeze.
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Slime Language is an unadventurous outing for Thugger and an unimpressive showcase of YSL’s roster.
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The magical monthly segment where Anthony briefly touches down on a gauntlet of albums he didn’t get a chance to review this past month.
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Clear Tamei and Steel Mogu deepen the sound and lore of Iglooghost, though hopefully his next full-length album will do so to a greater extent.
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Life’s a Trip has some surprisingly beautiful highlights, but Trippie Redd’s lyrics, song structures, and vocal consistency are still lacking overall.
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While the trap-goth direction of “Pictures of You” could use some work, this debut EP solidifies HMLTD as one of the most promising post-punk groups out right now.
