David Byrne & St. Vincent- “Who”
With modern cameras capable of capturing colors we don’t even have names for, the decision to shoot in black-and-white is not a decision to be made lightly. In his video for the David Byrne/St. Vincent collaborative song “Who,” director Martin de Thurah not only uses black-and-white to establish a sense of Twilight Zone-esque otherworldliness but he also utilizes his limited color palette to reemphasize the importance of both artists in the creation of the song.
The video begins with a dapper David Byrne cautiously getting out of his car to inspect an unresponsive Annie Clark who happens to be lying on her back in the middle of the road. While the cinematography is magnificent and the way Byrne approaches Clark with his back hunched over is both hilarious and highly expressive, the element that strikes me the most in the introduction of Byrne and Clark’s characters is how colors contrast and complement. Unlike the extremely ham fisted Kanye West directed “Runaway” that also attempted color juxtaposition, Byrne’s gray hair and suit and Clark’s stark black hair and dress create an intriguing visual and symbolic polarity. In a world comprised of gray skies, pavement, and houses, Clark stands out as an alluring figure of mystery and possible danger.
Following a stilted dance sequence where Byrne and Clark twist as if manipulated by marionettes, Clark confessing her life story to Byrne, and the reveal that Byrne’s character might possess a dark side as well, the video reaches its climax with a final dance number rapidly cutting between night and day. At night, Clark is in her domain. Accompanied by a marching brass section, Clark’s movements become erratic as she allows her entire being to be possessed by the funk. At day, Byrne leads the duo in a robotic (in movement, not in passion) two-step before the video ends right back where it began.
Love This Giant will be out on September 10th via 4AD and Todo Mundo Records.
St. Vincent’s 4AD Session
Awesome session takes of songs from St. Vincent’s latest album, Strange Mercy. Enjoy! Check our review of Strange Mercy here if you’re yet to catch it, and find the album on 4AD.
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St. Vincent- Strange Mercy
On St. VIncent’s latest album, singer-songwriter Annie Clark comes together with some pretty bold and experimental flavors.
I wouldn’t be surprised if fans found this to be a stranger record than 2009′s Actor.
But while many moments on Strange Mercy are, uh, strange, I found this record incredibly easy to get into.
WATCH THE REVIEW
Stream The New St. Vincent Album
Stream: St. Vincent- Strange Mercy
NPR’s First Listen series offers a great way for fans to preview hyped albums before their release date–or before you download them. One of the latest additions to the series is Strange Mercy, the brand new LP from St. Vincent. Strange Mercy is the third release from this New York-based singer-songwriter, and probably her most accomplished. It’s a more fleshed out work than her two previous LPs Marry Me and Actor, and finds frontwoman Annie Clark really coming into her own as a talented and versatile songwriter with a luminescent personality.
The distorted, occasionally overdriven snarl that constantly emanates from her guitar calls to mind PJ Harvey’s 90s material, while her voice and melodic sensibilities recall the more recent work of the Dirty Projectors. Although the record is very catchy throughout, she manages this without ever settling for traditional pop structures or melodies. When she comes close, the results almost make me wish she did so more often. “Cruel” would be a banging pop song if it weren’t for the intentionally sloppy-sounding guitar solo and the sporadic choir-like vocal segments, but this makes it even better and keeps the listener paying attention.
The opening trio of “Chloe In The Afternoon,” “Cruel,” and the surprisingly heavy “Cheerleader” packs a pretty big punch, and while the album feels a little top-heavy because of it, other moments make a pretty serious impact as well. The single “Surgeon” is a fuzz-washed slice of synth-laden art pop with great lyrics, and the understated closing track “Year Of The Tiger,” which features some rare acoustic guitar playing, stands out at first and hits harder with each subsequent listen.
Strange Mercy will be streaming on NPR until its release date on September 13th. The album is available for pre-order from 4AD here.
St. Vincent- “Cruel”
A new video from St. Vincent’s forthcoming album, Strange Mercy. The track is “Cruel,” and the visuals match the title perfectly. The outfits throughout the video are fun and retro, but the actions are enough to make one wanna avoid family life. It’s best to just stay single and not get thrown into the trunk of a car.
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