Famed drummer Ginger Baker‘s got a career that’s near-impossible to condense into a few sentences. The man’s contributions to everything from psychedelic rock to jazz are immeasurable, and he’s still hitting the skins at 75! He just put out a new album titled Why?, and the title track is embedded above.
The track features some funny female group vocals, a swinging rhythm, and a great horn solo, too. Pick up a copy of the album over here, and enjoy!
New York’s Parquet Courts–or Parkay Quarts as it is stylized here–have a somewhat spotty past with me. While I really dug 2012′s Light Up Gold, I felt left out in the cold on their last record, Sunbathing Animal. But because I’m a fan of Andrew Savage, the band’s deep-voiced frontman, I’m still interested in seeing if the Parkay can top its previous material.
With “Uncast Shadow Of A Southern Myth,” they’re off to a good start. It’s a long, dreary slow-burner, which there were a few of on Sunbathing Animal, but Savage has obviously upped his lyrical game here. He indulges in some Dylan-esque poetic abstractions while delivering them in a Lou Reed-style apathy. It actually keeps the track engaging as the band performs a simple, downtrodden instrumental that fuses lo-fi indie rock with alt-country.
Look for Parkay Quarts next album, Content Nausea, to be released via What’s Your Rupture? on November 11th.
With just a few brief albums and a handful of singles under her belt thus far, Holly Herndon is quickly becoming one of the most interesting electronic music producers to watch in 2015.
If I’m correct, she’s slated to drop a new full-length toward the start of next year via RVNG Intl., and her most recent single here shows her incorporating lyrics into her usual mix of glitchy rhythms and strange vocal manipulations.
Not only is the chord progression on this thing pretty epic, but the massive bass and dense cacophony of rhythms is pretty overwhelming much of the time–of course, the visuals in the video attached to this song mirror this.
Teaming up with fellow Chicago rapper Supa BWE, Mick Jenkins lands on this socially relevant and very necessary cut titled “Treat Me.”
If you wanna hear this track in its greater context, it comes from Supa’s new EP, which is titled Hurt Everybody. Personally, I didn’t dig it, but if you’re into this song, it’s definitely worth giving a shot. Enjoy!
Idiosyncratic indie rock band Deerhoof drops yet another cut from their forthcoming album, La Isla Bonita, and the track features one of the most nasty, dizzying, and dissonant guitar leads to ever make it into one of their songs–and that’s saying something.
Look for La Isla Bonita on November 4th via Polyvinyl Records.
tUnE-yArDs drops visuals for the track “Real Thing,” which features loads of imagery dealing with being “real.” It’s a cool concept, and executed well. The color scheme of the video is especially pleasing, and gets incredibly vibrant toward the very end. Props to Tom Jobbins on the direction here, and check out Nikki Nack if you haven’t already.
The previously praised Run The Jewels have a new full-length album on the way, and I couldn’t be more psyched after the release of this new track featuring none other than Zach de la Rocha of Rage Against the Machine.
In case you’re unaware, Run The Jewels is a hip hop duo consisting of Georgia rapper Killer Mike and New York rapper-producer El-P. After collaborating heavily on Killer Mike’s last full-length, El and Mike decided to take it a step further and solidify themselves as a duo, which they christened with a free full-length album last year.
Ever since, fans have been waiting for the followup, and RTJ isn’t gonna make us wait too long for it. The duo’s second album, RTJ2, is dropping on October 28th via Mass Appeal, and this newly released track is the best taster from the forthcoming project thus far. The instrumental is one of the most massive El-P has dropped since R.A.P. Music, and it’s great to her Zach on point once again–you know, since his recent appearance on the Deltron 3030 followup was somewhat lackluster. Zack’s Bitches Brew line was nasty, and El and Mike are sounding great as usual.
Looking forward to this!
French electronic music producer Mr. Oizo has dropped a new track that’s set to be featured on his forthcoming full-length album titled The Church. The album is currently looking at a November 18th release date via Brainfeeder Records.
To be completely honest, I had never put much stock in Mr. Oizo’s music before I heard this track. His previous material struck me as being pretty inconspicuous, just not that bold. However, “Bear Biscuit” has a huge freak flag that it has no shame in flying. With loads of heavy, noisy start-stop grooves, I’m not sure if I’m waiting for a more fluid song to start or getting a musical beatdown. The disorienting vocal samples are a nice touch as well.
Props to Mr. Oizo on this one!