Some twisted, eerie, raw, nasty, and misbehaved post-punk coming from Iceland’s Börn. Definitely a record for those who dig their rock on the dark side of things; because this record reeks of goth rock.
The guitar chords run pretty dreary, but the vocals are sharp, wailing, and strange. Nice contrast on there, and some great punk-y grooves are running throughout these tracks, too. Enjoy!
Omar Rodriguez Lopez and Cedric Bixler-Zavala are back with a new project: Antemasque.
The debut full-length from Antemasque is finally out! There’s been a lot of buzz building behind the album of this technically new band, but the project’s two lead members have pretty strong reputations in the world of rock music. Thanks to bands like At the Drive-In and Mars Volta, there’s really no reason a modern rock fan should be a stranger to Omar Rodríguez-López and Cedric Bixler-Zavala. This latest project of theirs is one of their most straightforward efforts, too. It definitely surpasses the last Volta album in terms of accessibility and hook power, I think.
If you’re in the mood for some “NO BS” rock tunes with some strong lead vocals, try this out.
Dark ambient, jazz, noise, and a strong sense of uncontrollable fear come together on this new, self-titled Shivers album. The trio features the musical input of Rutger Zuydervelt, Gareth Davis and Leo Fabriek. They’ve collaborated before, but this is the first time they’re doing so under this particular name. The final result, a.k.a. this album, is challenging, but surprisingly brief in its length. It would seem these guys wanna get straight to the heart of what these noisy, drone-jazz fusions are all about.
Look for this album on Miasmah.
This debut full-length from Sisyphus is far from perfect, but it’s still an incredibly bold and fun display of pop absurdity and genre-blending.
St. Vincent’s latest full-length is her most experimental yet!
The upcoming self-titled album from St. Vincent can’t come soon enough. “Birth in Reverse” and “Digital Witness” have hinted that this will be Annie’s most off-the-wall and adventurous project yet, and although decidedly a bit more understated than those two; new single “Prince Johnny” is a welcome come-down after them. It’s a smooth, seductive track with a laid-back groove, and of course it proffers a slick-as-sin guitar part from Annie. Yeah, it’s kind of simple, but it’s just so freaking well-written! At this point, I’m convinced she can do no wrong. Enjoy!
STV is slated for release February 25 via Republic.
Beyoncé Knowles’ latest album is easily her most sexual and personal.