Some freakish, frenzied punk rock on this new Vulture shit EP, which you can stream via the widget above. If you love manic vocals and wild guitars compressed into brief musical blitzkriegs, then this is for you. Enjoy!
After changing its name earlier this month, Code Orange (formerly Code Orange Kids) announced it will be releasing its sophomore album in a couple of months. It’s called I Am King, and above you can watch the video of its savage title track. Backed by a caustic hardcore soundtrack, the visuals depict some poor guy getting the letters “TOTH” carved into his back. I don’t know what that’s all about, but it’s clear Code Orange isn’t fucking around. This being the intro to the album, it is looking as though I Am King will be every bit as heavy and ferocious as its predecessor, if not more. Glad to see Converge’s Kurt Ballou reprising his role as producer.
Trash Talk’s latest album might have ferocity, but the music does little to capture the hardcore punk imagination.
Dammit! Carpark Records beat me to all the adjectives I was going to use to describe this new song from Toronto loud rock/post-hardcore band Greys. “Caustic. Brash. Noisy. Abrasive. Dissonant. Melodic. Sarcastic. Explosive.” Yep, “Use Your Delusion” is certainly all those things. So was the song they dropped a month ago, “Guy Piccioto.” I surmise all those words pretty accurately describe all of the group’s forthcoming full-length debut If Anything, out June 17 via the aforementioned Carpark Records. If you’ve dug these singles and those adjectives, then you ought to head on over to Greys’ Bandcamp page, where there are three solid EPs that will further whet your appetite for the album. Enjoy!
Oh, did I mention they’re a loud rock band from Toronto? That apparently demands restatement.
With Christmas Island, Andrew Jackson Jihad comes through with what’s essentially their pop album. While the band brings plenty of concise tracks with straightforward instrumentation, they mostly lack the emotional impact of previous material–the instrumental finesse, too.
Never Young whips out a sad, heart-stopping chord progression on “Main Stacks,” which is one of the many tracks featured on their new, cassette, Master Copy. If you’re looking for well-crafted guitars mixed with noise, and fed through some lo-fi recording tricks, then look for this thing on Father/Daughter Records.
UK post-punk outfit Savages drop a cinematic live video of their recently released single, “Fuckers.” The footage is stunning, and the performance is, well, anything but concise. I wouldn’t call it sloppy, but the band definitely seems “in the zone” on this one. The almost 10-minute rendition of this track shows the band getting lost in the moment between a lyrical mantra, tight drum beat, and a wall of wailing guitars. It’s hard for me not to get caught up in it as well. The atmosphere is so incredibly sinister, and the visuals only lend power to that sensation. Enjoy! Also, check out the band’s latest record, Silence Yourself, if you haven’t already.
After dropping the rigid, rollicking title track from their sophomore album Sunbathing Animal last month; Parquet Courts are now offering a second glimpse of the project via the considerably wilder “Black and White.” The song features the band’s trademark snarky vocals, but throws a couple of great guitar and electronic freak-outs into the mix. Check it out above and enjoy!