DFA 1979 returns with a likable followup to their debut full-length.
Praise to this up-and-coming band from Sweden. Their name: AHRM. They’ve got a debut, self-titled album on Bandcamp here, and it’s a barnburner. Punchy, sharp drums combined with some impassioned vocals and blaring guitars. It’s as informed by hardcore punk as it is the moodier, darker side of post-punk.
Ty Segall’s latest album is one of his most methodically assembled releases yet.
Few musical comebacks have been as hotly anticipated as Death From Above 1979′s. A few years after the Ontario duo’s electrifying debut album dropped, they splintered and began working on other projects instead. I vividly remember being disappointed upon first hearing this news, because You’re A Woman, I’m A Machine left such a strong impression on me–and most of the independent rock world, too.
To hear that Sebastien Grainger and Jesse F. Keeler were getting the band back together a few months ago was exciting, and it’s tracks like “Government Trash” that make it feel like the hiatus never happened. The track’s riffs are the sonic equivalent to an adrenaline shot, and the vocals could be more on point, too!
Look for The Physical World on September 9th via Last Gang Records.
Baltimore noise rock band Dope Body drops a track from their forthcoming album, Lifer. It’s looking at a release this October on Drag City Records, just like their last album, and this new track of theirs is a heavy, wild piece of rock ‘n’ roll. While it’s not as kooky or groove-oriented as the cuts on Natural History, the band still brings forth some visceral riffs and a dynamic guitar interlude as well. Enjoy!
Denmark’s Iceage have proven themselves to be savvy in numerous fringe genres across their two full-length records: post-punk, goth rock, noise rock. However, this new–and surprisingly melodic–track of their delves unexpectedly into alt-country, it seems. Everything from the guitar chords to the bassline feels distinctly Western, but Iceage performs it in their trademark sloppiness. Like usual, a good song shines through despite the slurring vocals and loosely played instrumentation. Enjoy!
So much hype surrounding Half Japanese’s upcoming record Overjoyed – it’s their first full-length thing in 13 freaking years! It’s not so hard to see why all the excitement: the band’s DIY sound was groundbreaking throughout the 70s, 80s, and 90s and was influential to countless notable alt/indie rock artists, including Kurt Cobain and Daniel Johnston.
Now it’s 2014, and with lo-fi music so readily accessible with the web, I can’t really imagine this new single “In Its Pull” being mind-blowing for most listeners. That being said, Jad Fair still knows how to write the hell out of a song, so this is a pretty killer track all the same. It sounds in-the-moment like the group’s best work and I dig the raw production Deerhoof’s John Dieterich brings to the table. Thankfully, it looks as though Overjoyed will be a plenty enjoyable comeback that will be just offbeat enough. We know too well that sometimes even that is too much to ask for…
Overjoyed is due out September 2 via Joyful Noise Recordings.
Québec band Crabe has a new record up on Bandcamp that lives up to its title: Anti-Vague. There’s nothing faint or subtle about this duo’s rough and eccentric approach to indie rock. They create a serious ruckus for just two dudes, and their songs are sung in French as well–I dunno, I figured that’d be something that interests you.
If you’re into the sounds of colorful, aggressive noiseniks like No Age, then give this thing a try.